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Overall, a good classical compositions have a pleasant proportions. There is a balance between darkness and light, between the solid form and open space or bright colors with the colors dim. On certain occasions, if necessary you may need your composition entirely symmetrical. Often the images that you create more dynamic and visually more interesting when you put the subject in the middle. You should avoid even if it is a vertical divider lines.
To avoid a dynamic image that also required the presence of rhythm. This rhythm is due to repetition many times a small object. The presence of rhythm in the picture suggests the existence of a movement.
* Good GarisFotografer often uses the line in their works to bring attention to an observer on the main subject. Lines also can create the impression of depth and show motion in the picture. When the lines themselves are used as subjects, what happens is the pictures to attract attention. It does not matter whether it is a straight line, circular or curved, to bring the eyes out of the picture. The important lines that become dynamic.
* Shape
One of the simplest formula that can make a photo interesting is to give priority attention to a visual element. Shape is one of them. We generally assume a shape as an outline that is created because a shape is formed, in essence, the subject of photographs, drawings are considered to have the power of visual and abstract quality. To make the shapes stand out, you should be able to separate the shape from the surrounding environment or from backgrounds that are too crowded. To create a strong contrast between shape and surroundings that make up the shape. Contrast this to happen as a result of differences in light or dark color differences.
A shape certainly does not stand alone. When entering into a landscape that contains two or more of the same shape, we can also crop a shape to strengthen the quality of the image.
* Form
When the shape itself to identify the object, it is still necessary to give the impression of solid form and three dimensions. This is an important factor to create the impression of depth and reality. This quality is created from the formation of light and tone which then form the lines of an object. Important factor that determines how the form is formed is the direction and quality of light on the object.
* Texture
A photo with a prominent teksur image can be a creative form of shape or pattern. If sufficient, textures will provide realism to the photo, brings depth and three-dimensional impression to your subject.
Texture can be seen clearly on two different sides. There is a texture that can be found when we get closer to the subject to enlarge what we see, for example if we want to capture the texture of the surface of a leaf. There is also a time when we had to retreat because the subject we aim at is incredibly broad. The texture also appears when light strikes a surface with a low angle, forming the same image in a particular area.
Photographing the texture is considered successful when the photographer to communicate in such a way that the observer can feel the photo as if to touch the surface. Just as the pattern, texture are best displayed with a few variations and appears to widen until the out of bounds picture.
* Patterns
Pattern is a repetition of shapes, lines and colors is another visual element that can be a major concern towing element. The presence of rhythmic repetition and it creates an impression of harmony in the picture. But, too much uniformity will cause the image to be boring. Secrets of the use pattern is to find variations that are able to capture the attention of observers.
Pattern is usually best expressed in evenly. Although the lighting and angle of the camera shots create an impression of the image tends to lack depth and allow something that repeatedly become prominent.
By studying the principles of composition above, the following are some types that you can use:
* Rule of thirds
Imagine there are guide lines that form nine equal rectangular big on a picture. The elements of an image that appears in the corners of the rectangle center will get maximum traction.
* Format: Vertical Horizon or
The proportion of rectangles on viewinder allows us to shoot in the format landscape / horizontal or vertical / portrait. The difference-making format may cause different effects on the final composition. Look at the viewfinder horizontally or vertically and define creative decisions for the best results.
* Keep it simple
In some circumstances, the best option is to keep it simple. It is very difficult for people who see a photograph if too many points of interest. Generally more? Crowded? an image, the less attractive picture. Try concentrating on one point of attention and maximize its appeal.
* Picture scale
An image that looks ordinary but becomes interesting because there is a small point of interest. By shooting landscapes or monuments, develop a photo shoot with the added attraction of objects of known size as a point of concern to give the impression of scale comparisons.
* Horizons
Changing the balance of heaven and earth to radically change the landscape picture. When a picture is almost filled by the sky will give the impression of an open plain and wide but when the sky is only spared a little at the top of the picture, there will be a full impression.
* Leading lines
The line that brought the eyes of people who saw the photos into a picture or drawing passes. Generally, these lines form:
The lines that look physically eg road markings are not visible or directly such as shadows, reflections.
* Be different
Perhaps there are other shots that can be taken apart and photographed from the front approach parallel to the ground. Moving closer than expected often produce interesting effects.
* Colour
Making part of the picture stand out from the background. The main way to obtain this is to obtain the color subjects or radically different tone with the background.
* Framing
When the subject will typically have a strong, full frame with the subject. Whether it's a way to use a longer lens to focus or move closer to the subject.
* Shooting position
When we feel saturated with the composition-that's all, try meurbah viewpoint entirely. For example, a sitting to standing position or taking shots from the top or bottom of the subject.
KODAK The Art of Digital Photography: Digital Photo Design: How to Compose Winning Pictures (Kodak Art of Digital Photograp)
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