Nikon D300s REVIEW

Nikon has been the industry leader more than 30 years. Nikon has unveiled the new Digital Camera for the photographers which is called Nikon D300s DSLR. It's listed in the top 50 of the greatest sellers at amazon. Why is it famous? The primary reason is that features 12.3-megapixel DX-format CMOS Image Sensor, D-Movie HD Video, 3-inch Super-density 920,000-dot VGA LCD Monitor, and Dual memory card slots (CF and SD) . Thanks for those advanced technology what ensure the Nikon D300s 12MP CMOS Digital SLR Camera really is powerful and high-quality. It is quite suited for the children photographers. If you're unsure in purchasing a correct Nikon DSLR, it's time to over your confusion. I write this Nikon D300s Review and Test for help you understand that Nikon D300s SLR Camera is completely best suited for you. Now, Please follow me to get in the Nikon D300s SLR Camera and take a closer look at the features of Nikon D300s DSLR.

Read More......

Tokina 35mm Macro

Being one of the most expensive hobbies or professions, photography has become extremely accessible to the masses. When shopping for a wide angle lens, it's hard to find a quality product at an affordable price. Tokina has taken care of this dilemma; the Tokina 35mm macro lens is not only a tack-sharp lens, it's an extremely affordable one. From amateur to professional photographers, the Tokina 35mm f/2.8 macro lens pleases all. From the build quality to optical quality, almost all photographers will be able to enjoy what this lens has to offers. In terms of quality, this lens is a steal. The lens has a maximum f/2.8 aperture, and a minimum aperture of f/22. This aperture range is a beneficial feature for snapshots, family photos, and much more. Having such a great aperture range, this particular lens is good for taking photographs in a low light setting as well as everyday photography. Being a great combination of normal and macro lens, the Tokina 35mm macro makes it easy to control bokeh (out of focus blur) to achieve professional, artistic portrait pictures.

Read More......

Using a Light Meter

For many persons, making use of the light meter built-in their digital photographic camera models is suitable enough. On the other hand should you desire to take your digital photography knowledge to a new level, you may need to take into consideration using a light meter that is hand-held.
You will come across two types of metering:
- The first kind is reflective metering. The actual meter within your digital camera is basically reflective metering. It calculates the quantity of light that will bounce off of from your subject into your digital camera lens. Your digital camera makes use of this info to find out variables such as the aperture, ISO and shutter speed if it is fixed on auto-mode.
- The 2nd kind of metering is known as incident metering. Hand-held light meters are generally incident meters. The incident meters calculate the light shimmering on the subject. Simply because they are not relying on the reflective attributes of light to provide you with a reading, they are far more precise when compared with your camera interior meter. The dome that comes in reflective meter contains sensitive sensor that calculates the light entering it from all possible angles.

Read More......

Sigma 100-300 mm

The Sigma 100-300 has been in the market for a long time, and they were updated in 2005. The lens comes with a constant f/4 aperture and it was designed to fit the full frame DSLR sensors. The lens comes in a variety of body mounts and has a lens hood and a tripod mount.
The lens also comes with a new multilayer coating that offers a great color performance and at the same time reduces ghosting or flare created by reflections. By design, the Sigma 100-300 will also maintain a minimal light fall-off and ensure that the peripheral brightness is of superior quality. You should expect high optical performance, which is displayed all through the zoon range.
With the Sigma 100-300, you will not worry about aberrations because the two SLD glass elements in the front and rear of the lens enable optical corrections to offer superior quality all through the zoom range. The lens is also available with an inner focusing system, which is responsible for eliminating the rotation of the front element of the lens.
Users of the Sigma 100-300 will benefit from the smooth movement of the zoom and focus rings because they come with the right resistance levels. The rings are made of rubber and this makes it better to handle and easy to turn. The focusing ring will end in soft stops on the different spectrum of focus. Sigma 100-300 also comes with 150 degrees of turning fidelity, making it easier for the users to focus the lens manually. The filters attached to it will not rotate as the lens focuses. 

Read More......

Sigma 70-200mm

The Sigma 70-200 is a popular choice for many serious photographers because of the various features it comes with.  It comes with a constant aperture that will make it easier for people to capture photos in different situations. It is also good for taking pictures in lower ISO. This will come handy for shooting in and low light situation. This lens is great for action photography as well.
When it comes to color and contrast, the Sigma 70-200 is excellent. The creamy background blur is facilitated by the presence of the 9-blade apertures. The chromatic aberration is well controlled, but the flare is not so, especially in higher focal ranges. At the 200mm mark, you need to have the sun and other sources of bright light far out of their pictures so that they do not end up with flare that robs the photo of its contrast.
You will not have to worry about distortion when using the Sigma 70-200. The lens shows a little barrel distortion on wide end and pincushion distortion at 100mm, which increases as it reaches the 200mm focal length. When it comes to vignetting, there will be little shading from 135mm to 200mm when the lens is at f/2.8. This phenomenon is especially visible if you use it with full frame cameras.
In order to avoid such problems, it is important that you stop the Sigma 70-200 lens down one or two stops from the maximum aperture. The users will also benefit from the fast and silent autofocus thanks to the Hyper Sonic Motor (HSM). The HSM is not only crucial for internal focusing but also helps in internal zooming. The front element of the lens will not rotate, making it possible to use it with the petal shaped hood.

Read More......

Sigma 50-150mm

The Sigma 50-150 combines the focal length range, size and weight as well as the wide aperture from the more professional telephoto lens. It comes with a flat plane of sharp focus but with a slight curve or distortion at the wide end. It comes with the latest optical technology and offers the users a good correction for ghosting, flare and aberration thus assuring them of high quality images all through the zoom range.
While the flare is well controlled at the 50mm mark, it is at its best at the 150mm. For the focal length, the transition is linear. Users will start noticing a mild barrel distortion in the center of the frame when the Sigma 50-150 lens is at 50mm and pincushion distortion at 80mm and 150mm. It can be quite strong on those two focal lengths.
When it comes to chromatic aberration, it is noticeable at 100mm at the corners, although it is not present at 50mm and 70mm. It becomes even stronger at the 150mm mark. With the Sigma 50-150, users will also experience vignetting at the corners at 150mm. Fortunately, they can clear up all the shaded region by f/4 and f/5.6 for corners that are evenly lit.
The Sigma 50-150 also comes with nice physical features. It has the HSM mechanism that is suitable for internal and rear focusing mechanism. The AF is not only moderately fast but also quiet. Manual focusing will produce some squeaking noise, but it is not loud or significant at all.

Read More......

Sigma 18-200mm OS

The Sigma 18-200 OS comes with a 11x zoom range and an image stabilization feature that makes it a versatile tool, especially for those who want a travel lens. With this product, the users will be able to capture different focal lengths ranging from telephoto to wide angle.
It comes with two SLD glass elements and two hybrid aspherical lenses that will correct the different types of aberrations. The housing of the Sigma 18-200 OS is not only compact but also light in weight. It weighs 14.3 ounces and measures 70mm in diameter and 78.1mm in length. It also comes with a new lens coating that will not only reduce both flare and ghosting but also b ring about an optimum balance in color.
What makes the Sigma 18-200 OS different from its predecessor is the Optical Stabilizer function - a unique technology from Sigma. This system applies tow sensors that will detect the vertical and horizontal movement of the camera so that it compensates the camera shake. This makes it a great choice for those people looking to take great handheld shots. The users will be able to capture photos in low light conditions without using a tripod.
The optical performance of the Sigma 18-200 OS is facilitated by a special low dispersion (SLD) lens and 3 aspherical glass elements. They will correct the aberrations and offer high quality images across the zoom range.

Read More......

Sigma 18-200mm

The Sigma 18-200 is a high zoom ratio lens that was designed for the APS-C digital SLR cameras. It is capable for covering different types of focal lengths. The lens comes with two SLD glass elements and two aspherical lenses that will offer corrections to a variety of aberrations. This also allows this lens to be housed in a compact and lightweight construction measuring only 70mm in diameter, 78.1mm in length and 405g in weight. 
Similar to other lenses from sigma, the Sigma 18-200 comes with the new lens coating that reduces ghosting and flare - one of the problems that are popular in digital cameras. The coating will also create the best color balance. The maximum magnification of the lens is 1:4:4 while the minimum focusing distance is 45cm at all focal lengths.
The Sigma 18-200 design also features an inner focusing system, which limits the rotation of the front lens. This makes the product the best when it comes to using the petal-shaped lens hoods and polarizing filters. The overall lens' length does not change when the users are focusing, making it convenient to handle and easy to use. The users will not have any problems with zoom creep when transporting or traveling thanks to the zoom lock switch.

Read More......

Sigma 18-125mm

Sigma 18-125 comes with the unique Optical Stabilizer function, which makes use of two sensors inside the lens. It will detect the horizontal and vertical movement from the camera, and then moves the optical image-stabilizing lens to compensate for the camera shake. With this system, the users will benefit from shutter speeds that are approximately 4 stops lower than usual. With the OS, it is possible for the users to capture subjects in motion.
The Sigma 18-125 lens has been designed to be used with APS-C digital SLR cameras. It comes with a light plastic construction that is similar to most kit lenses. The lens comes with a minimum focusing distance of 35 cm at all focal lengths and a magnification ratio of 1:3:8, making it a suitable choice for close up photography.
The SLD glass, the molded glass aspherical lens and two hybrid aspherical lenses will provide an excellent correction for different types of aberration. Just like the other types of lenses from Sigma, Sigma 18-125 comes with a super multi layer coating to prevent ghosts and flares so you will get high quality images on all ranges.
On the Sigma 18-125 lens, the telephoto part of the lens is tight and does not have any imprecision at all. It has a zoom lock, although it is not necessary since the lens does not creep in any way. The build of this lens is solid.

Read More......

Sigma 24-70 HSM

Designed for the full frame cameras, the Sigma 24-70 HSM is becoming popular among many users. It comes with a focal length of 24mm and it comes on a compact construction. This design comes with an overall length of 94.7 cm and it is ideal for a number of situations ranging from landscapes, snapshots and portraits.
Like other Sigma lenses, the Sigma 24-70 HSM comes with a super multi layer coating that eliminates ghosting and flare and at the same time to offer high quality image. It also comes with Extraordinary Low Dispersion (ELD) glass elements and two SLD (Special Low Dispersion) glass elements as well as three aspherical lenses to offer correction on all aberrations.
With the Sigma 24-70 HSM, the superior quality performance is ensured all through the zoom range. With it the users will benefit from the quiet and high-speed autofocus as well as a smooth manual focusing. The lens has a minimum focusing distance of 38 mm as well as a magnification ratio of 1:5:3. It also comes with a diaphragm with 9 blades to create an attractive out of focus blur.
The users will also benefit from the sharpness and accuracy of the Sigma 24-70 HSM lens. The sharpness will be seen in all apertures and focal lengths. However, it will drop sharply at 70mm when it is wide open. The users can avoid this by stopping down to at least f/4 so that they get the best images.

Read More......

Sigma 18-50

The Sigma 18-50 comes with a large aperture zoom and it is specifically designed for digital SLR cameras with at least 20 cm of focusing distance. This makes it a great choice for close up photography. This lens combines the hybrid aspherical lens technology with the glass mold one to offer high quality images, peripheral brightness and a compact structure.
In terms of sharpness, the Sigma 18-50 comes with a sharp image quality at different focal lengths. However, the sharpness will lower when you open up the lens to f/2.8, especially at the corners. For this reason, you should stop down to f/4 in order to bring the sharpness in focus. The sharpness gets better to about f/11, but after that it starts to decrease because of diffraction. At f/22, the images are not as sharp, and it is even worse as compared to when the Sigma 18-50 lens is put on wide open.
The focal length of the Sigma 18-50 will keep the image quality under strict control. The users will also benefit from the macro feature which allows the users to get very close to the subject. Some of other benefits they will enjoy include the lightweight and small size of the unit, which allows them carry it without any problem.
The users will also enjoy a correction of the color aberration, thanks to the presence of the SLD (Special Low Dispersion) and ELD (Extraordinary Low Dispersion) glass. It also comes with a multi layer coating that is characteristic of most Sigma lenses. The coating on the Sigma 18-50 will help in the reduction of flare and ghosting, making sure that the images are of high quality.  The two aspherical glass elements will also help in the correction of distortion, allowing users get the best photos.

Read More......

Sigma 17-70 OS

The Sigma 17-70 OS is a new version of the Sigma 17-70mm. It has been designed for different DSLR cameras and those photographers who are looking to enjoy the benefits of an extra zoom and extra apertures. This new version will provide the elements that were absent in the older version, including the OS and HSM motor.
The buyers will enjoy the F2.8 aperture of Sigma 17-70 OS because it can be used in different situations such as macro, portraits, general photography as well as sports. The aperture has also made it possible for the users to engage in hand held photography throughout the zoom range and at high auto focus speed. Those who love close up photography will also benefit from Sigma 17-70 OS because of the focusing distance that comes with a minimum of 22cm and a maximum magnification 1:2:7 ratios.
The Optical Stabilizer (OS) function provides users with shutter speeds that are almost 4 stops slower than would usually possible. The Sigma 17-70 OS also comes with three aspherical lenses and a single Extraordinary Low Dispersion (ELD) glass element that will provide corrections to different types of aberrations. This assures the users of high quality image all through the zoom range.
Just like other types of lenses from Sigma, Sigma 17-70 OS comes with a super multi layer coating that will decrease ghosting and flare, and at the same time offer images with high contrast. Apart from that, it comes with HSM, which will ensure a high speed and quiet Auto focus. The outstanding thing in this lens is the rounded 7 blade diaphragm, which causes an attractive blur to the image areas that are out of focus.
When it comes to vignetting, the buyers of the Sigma 17-70 OS will experience some of at the widest apertures. In order to avoid this, they need to get down one stop at the every focal length. Chromatic aberration is well controlled and the users can ignore the focal length and apertures.  Users will also enjoy a smooth operation when it comes to manual focusing. The focus ring will rotate during autofocus. The polarizing filter will not be a problem because the front lens will not rotate.
When it comes to the build, this lens is decent and better to handle.  It is good for different types of situations because of the fast and silent autofocus as well as the great OS performance of the Sigma 17-70 OS.

Read More......

Canon PowerShot SX130IS

With regards to selecting a digital camera you are going to find that many folks are looking for a very simple camera that is not very complicated. For some people the more functions and abilities a camera has the more challenging it is for them to learn how to use this properly. You may possibly be surprised to learn that there are in fact millions of people who want simplicity which is the reason why point and shoot digital cameras are becoming more popular. On this page we're going to be looking at one of these point and shoot cameras and it's the Canon PowerShot SX130IS 12.1 MP Digital Camera.
One of the primary things I would like to discuss concerning this camera would be that it is included with a 12 times zoom lens, which is impressive for a camera such as this. For folks who like to take closeups but are unable to get close to the subject you're going to find that the 12 times zoom lens is a thing that is very impressive. You need to also understand that the zoom function can be quite useful while you are trying to capture one thing but do not want to capture something else in the picture.

Read More......

Nikon Coolpix P510

The Nikon Coolpix P510 camera is a unique piece of equipment that is useful for many different types of users. Certain shock resistances make it an ideal budget DSLR camera that allows for fast, accurate, and high resolution captures without all the fragile equipment found on lesser devices made for city or town usage. Part and lens integrity is important for this demographic of users.
The device is equipped with a 24mm-1000mm lens and a 16.1-megapixel image sensor. Clearer, brighter, and highly focused images are the result of this union of features. 1080p images are capable of being captured even in darker or high sunlight situations, as well as movies and videos. Detail on even compromising images is of excellent clarity due to the image sensor.
Image stabilization features integrated in the Nikon P510 lets the user capture moving targets without heavy blur and unfocused parts of the image. Fast auto-focusing techniques allow for a quick, sudden capture without having to mess with the other settings of the camera. This allows for quick captures that do not have the time to be adjusted accordingly.
42x zoom capability lets users examine subjects from far off and still remain focused and detailed. This is a good feature for wildlife photographers who desire to capture a close image without disturbing the wildlife or its habitat. Distant zooming capabilities help in exposing minute details other devices may miss.
High resolution images and movies are both possible with the integrated features found in the Nikon P510. Its 16.1-megapixel image sensor lets captures include more clarity and detail than other devices. It is also capable of shooting up to five shots per second with a high speed shooting feature, for those needing to capture each frame on its own.

Read More......

Tricks and Tips to shoot Green Screen

You can add beauty and glamour to your photographs with chromakey green muslin backdrops.  Green screen backdrops are important photography equipments which can add to the collection of your photo studio. You can take amazing pictures with the use of these green screen muslin backdrops by following some simple tricks and tips...

Buy a high quality backdrop
    * Make sure that the chromakey green muslin backdrop used by you is made of high quality fabric. 
    * For good quality pictures, the backdrops must be made of durable muslin material and must be 100% cotton to absorb light.
    * The backdrops must be seamless and flawless to avoid any wrinkles in the photographs.
    * Buy a backdrop which is easy to fold and carry so that it can be used for on locations shoots as well.

Fix the backdrops properly
    * Make sure that the green screen backdrops are fixed properly to avoid any folds in the photographs.
    * The backdrop must be fixed at a place where lighting is proper. Lack of proper lighting can affect the quality of the images by leaving shadows in the images taken.

Use good quality software
    * Use good quality chromakey software to edit the photos taken against the green screen backdrop.
    * The software will help in eliminating the green screen properly from the photographs and you can add the images of your choice to make the pictures look beautiful.

Read More......

Light plays

Light plays a crucial role in the life and photography. Without it, the images are dark and lifeless. Therefore, it is a critical factor for obtaining excellent images. Some of you may not realize that the word is real photo from the Greek word which literally refers to the light absorbed in writing. With the light, each owner of a digital camera can different moods, create images. The photography is light-dependent. Since this aspect is used, can make or break a photo.
Although there is not really the standard method, how to use lighting when taking pictures, there are only the basics of what to do when taking pictures. For example, always avoid the subject of the image with the light behind them, or are listed as new lighting. This makes the subject is dark, except, of course, if you want a dramatic effect to your photos. The best thing to do, then take pictures with it, in front of a light source so that the picture that emerges is clear...
Another thing to avoid, images of metal or glass directly. This leads to a reflection of the so-called flash or diffused light. What do I do next in order is a clear picture of your digital camera into a 45 degree angle with the surface of the metal flashing on. However, understand that it is wrong if the photo shows a torch. It 's perfectly fine, especially if you have it, according to a particular effect on the images. To operate with respect to the type of light, because the softer light to create shadows hold. On the other hand, the direct light in different colors which are very ideal if you want to play, to create your pictures.

Read More......

The basic colour modes in photograph

It is possible to change and adjust the colours of a digital image as much as we please, but to do so it is necessary to understand something about colours and how they combine and work together.
The basic colour modes are Red, Green, Blue (RGB) and Cyan, Magenta, Yellow, Black (CMYK). They are known as colour spaces and they determine how images are seen and reproduced.

Electromagnetic radiation comes in the form of wavelengths and its total range is known as the spectrum. The range covers gamma rays, X-rays, ultra-violet, visible light, infra-red, radar, microwaves, various radio waves and extremely low frequencies.

The only part of this spectrum which can be seen by the human eye is a very small section in the middle seen as white light. White light is refracted into its component colours of red, orange, yellow, green, blue, indigo and violet, which we see as the rainbow colours.  The primary colours are red, green and blue.

Read More......

Food Photography

Lighting

When lighting food we want to avoid harsh shadows and highlights. To do this use a soft, diffused light source. A shaded area with reflected natural light can work well. For artificial light, try lights reflected from large umbrellas, or large softboxes.

Don't light your subject directly from the front, as the light will fill in all the shadows, giving a flat image with no texture. Instead light from the side to bring out the texture and details in the food.
 

Angle

Read More......

The Tokina 50-135 lens has a high quality build and construction

The Tokina 50-135mm F 2.8 AT-X 535 PRO DX or simply known as the Tokina 50-135 lens has a high quality build and construction. The casing is all metal and has extraordinary fit and finish. This particular lens is cheaper than its counterparts and has many advantages as well. It features many elements and is a good lens for moderate to large focal range. This particular lens is also lighter and more compact than its competitors in the market.

As far as the aperture is concerned, is very fast and constant at f/2.8. The lens incorporated SD elements which compensates the chromatic aberrations. Chromatic aberrations are a big concern for photographers and Tokina have addressed that issue with this Tokina 50-135 lens as they have used SD technology which reduces the chromatic aberrations. The SD feature not only reduces the chromatic aberrations but also it makes the lens produces sharp and high contrast images. The quality of the image is quite high and optical quality this lens is commendable.

Read More......

Cameras allow an External Flash

Some cameras allow an external flash, or hot shoe, to be mounted while in a professional  studio, a photographer will use freestanding flash units, or strobes, which are either powered by the mains or connected to battery packs. The photographer synchronized them with the camera with the help of a cable or radio signal. Some are triggered by light, i.e. one flash can be synchronized with the camera, which triggers the other flash units.

Current camera flashes are either flashtubes, which combine a tube filled with xenon gas with a high voltage charge to emit a flash of light, or microflashes. Microflashes are high-voltage flash units which give a flash of light with for a sub-microsecond. They are frequently used by engineers or sometimes for examining fast moving objects or reactions.

Although they don't yet have the power to replace xenon flashes, LED flashes have been used in camera phones. The major advantage of LED over xenon is its ability to operate at a low voltage, on a tiny scale and with increased efficiency.

Read More......

Important Pointers for The Contest

Be honest with yourself; take a good look at your photography, even if you have just one good picture think critically if it is ready for the contest.

Here are important pointers:

1. The theme is important.

 Make sure your photograph or series of photographs fit well into the topic of the contest, this is one of the most important factor, your image can be great, beautiful, technically correct but if this is a portrait and you submit it to landscape photo contest you will not get any recognition.

2. Again topic it important.

I know you will not submit portrait to landscape contest but i want you to understand that this is very important. Some contest have 10 or more categories go through it and understand what will the judges look for and what category does your work fit best.


3. Follow the rules.

Read More......

Canon EF 50mm lens is lightweight

People like a variety of things, specifically when it comes to their camera, along with its lens. Although everyone doesn't need a standard zoom lens, many individuals would like to have a fixed focal length lens. Continue reading to learn more about the Canon EF 50mm lens, a top choice when it comes to lenses for cameras. The Canon EF 50mm lens is lightweight, inexpensive and has a fast f/1.8 aperture. Individuals who are looking for a zoom lens with a fixed focal length will appreciate the quality of this lens. With a weight of only 4.6 ounces, this EF lens is Canon's lightest, but it gives a sharp performance because of its classic Gauss-type optical design. Because of this, the lens creates images that bear resemblance to how the eyes see an object. If you want natural depth for images or portraits, this lens is superior. It is possible to take extreme close-ups, as this lens will focus as close as 18 inches. This standard zoom lens balances color wonderfully and has a one-year warranty from Canon. Almost all customers have been pleased with this standard zoom lens, with some very positive reviews and some that were not as good. This appears to vary with what the buyer expected from the zoom lens. In some instances, the customer expected more after browsing the reason of the lens. Other products which exaggerate what their product is able to do, are deserving of having unhappy customers. This lens generally seems to do what it says for many people. Several customers were not satisfied that the housing was totally made of plastic materials.

Read More......

Macro lenses

If you are interested in doing really close up photography, or macro photography, of things like beautiful flowers, interesting insects or any other object that you want to get extremely close to, you will need the assistance of a macro lens. These lenses are extremely specialized and designed only for very close up photography. These types of lenses are often used for marketing, nature shots, science shots as well as medical photography. Most of the macro lenses will have a 1-1 framing ration, this means, that everything that is the frame is its actual size. The most common subjects found in these kinds of shots are generally creatures or some sort of objects that are very visually interesting or intriguing and are usually overlooked if viewing them with the naked eye. Using this kind of lens will take practice but, if you try to follow the few rules listed below, it should help you develop your own technique. You should choose a macro lens that is going to fit your personal photography needs. Just like any lens, the macro lens comes in a variety of different focal lengths. Those lenses that are 50 mm and 60 mm with fixed focal lengths will capture much wider angles than those that are 100 mm or 300 mm. If you are in need of highly controlled situations like a food item or product photography then a wide macro lens is going to do the job. The longer macro lenses are far better for the less controlled shots where you need to keep some distance.

Read More......

Quality Panorama Photo Shooting Tricks !

Quality Panorama Photo Shooting Tricks

• 1. You should start by planning your shot sequence, because when you are shooting pictures for panorama, you will be taking ten or more pictures in a sequence. It is best to do a dry run looking through the viewfinder to plan the entire sequence in advance on the way you will arrange your shots.

• 2. Though you can shoot photo sequence in any direction, but it is best if you can shoot from left to right, as it becomes much easier to make sense with your shots when you are viewing them on your computer, and you will get them in best order in the software.

• 3. In panoramic photography, your photos should overlap to enable software to stitch them perfectly. You can very easily stitch your photographs with a twenty percent overlap or even less. Having said that, thirty to fifty percent overlap is recommended. A large overlap in panoramic photography delivers you a adequate room for fine-tuning your final results.

• 4. For enhancing the vertical field of view by about fifty percent, you should turn your digital camera sideways for shooting your photos in portrait position. You will have to shoot more frames for covering the same scene, but with this maneuver, you will get significant vertical coverage.

Read More......

Nikon COOLPIX P7100

For those who love to take pictures and serious about it, there is a new camera on the market that they will love. The Nikon COOLPIX P7100 digital camera is a sturdy, portable piece of equipment that offers a number of upgrades from the earlier model, the P7000. The overall quality, flexibility, and performance is still excellent as with the previous version, only the Nikon P7100 offers superior speed and image processing.

The shape of this recent model is basically the same as the older version, but one important difference is the screen. While the earlier model had a stationary 3-inch screen, this updated version has one that can be tilted up or down at an angle. This feature is ideal for shooting images that are higher or lower than normal. Other new additions include a rotary multi-selector, second function button, special effect mode and noticeably faster shooting and processing speeds.

The Nikon P7100 is not a simple camera, it is aimed at those who are more familiar with photography and understand its finer points. Getting comfortable with this machine may take some time and reading through its manual as well as taking some practice shots in order to gain mastery of what it has to offer. It isn't a pocket camera, so it can take up a bit more space to stow it, but that is not a serious inconvenience, it is still more portable than some. It is well-built and has rubber finger grips front and back to improve handling. Another useful gadget it has is its optical view finder, although it only gives an 80% view it is convenient when sunlight obscures the LCD screen.

Read More......

Beginner Street Photography

Beginner Street Photography 

 

Street photography is the ideal way to express your creativity while perfecting your photographic technique. The shots you create can weave together a vibrant story of a neighbourhood or a local community, while challenging your photography and supporting you to develop an artistic style.

The first of the street photography tips is to determine your plan in capturing images. Are you looking to simply strap a camera around your neck and look at an area through a photo-journalistic tactic, or do you prefer to talk and interview someone and create a portrait?

Photojournalism takes an approach were the photographer is standing back to capture moments happening without interfering or posing their subjects. If a shot is missed, there is no way to recreate it; as a substitute you look ahead to the next opportunity.

A more personal side to urban photography is to focus on the individuals on the street, find their story and capture an intimate image that reflects their personality. That person may be a businessman, someone who is homeless, or even a priest who is handing out his literature on a street corner. The photograph of that person that you take then becomes part of a larger narrative that weaves through your images.

Read More......

Night and twilight photography

night and twilight photography

It's necessary to be patient, then we can get really great images. Your technical skills will play an important role at night.

At night you work with long exposure time, which requires the use of a tripod and a shutter-release cable. 

You should set the lowest ISO value, for example ISO 100 or ISO 200. Exposure time around 1-10 seconds is a good time for this kind of photography. Your camera will register movements in a very special way, differently then your eye. The effects are really fascinating: moving lights and reflections create a new reality. The spotlights in movement make interesting patterns, moving cars are not visible in the picture, only their light traces.

If you normally use any filters on your lens, better remove them at night. If it's windy it may be difficult to keep the camera steady on your tripod. Then you can hang some weight or collapse the tripod legs to their minimum height.

Read More......

Photographing Christmas Lights

Photographing Christmas Lights

Christmas lights, with all those incredible glowing decorations, just beg to be photographed, but usually they come out as colored pinpricks or a jagged blur of out-of-focus chunks of light. There are some easy things to fix all that.
 

The first thing you need is something to steady your camera on. A tripod is best, or gorilla pod. You can use a small beanbag or, in a pinch, set the camera on something solid. You will be working with longer exposures than you can hold without blurring.
 

For outdoor shots, the time of day is critical. Just around dusk or just before sunrise. By having some ambient light you can fill in the unlit areas of the trees and homes but still have the glowing light dominate.
 

Set your ISO speed to 400 or 800. If you go much higher you might start to get some grain or digital noise. You should test this; you will see the issue appear first in the shadow areas. Some of the newer cameras can go to higher ISOs, so do some testing.

Read More......

Black and White Photography

Black and White Photography
1.Find a location.
It can takes for months to find a great location, i go back to the same location many times before I get lucky to encounter great light and everything connects perfectly. Sometimes it just happens and you will be able to walk into a great place where light , contrast and composition are perfect, most of the times you will have to go back, even in you are experienced photographer you will go back to the same location to improve the landscape you see.
 

2.Specific point of view.
Finding location is first step, you have to find specific point from where you will be taking your image. This is much more complicated then just pointing the camera and hoping for the best. The specific point of view is critical for your composition. It i this one and only point where your camera will be set before you press the button, this is the point from where all the elements are place in right position, where all the shapes and forms of threes, mountains, lakes, ocean, rocks  are connected. It is very hard to find this point and you have to learn and practice before you will be able to find it fast and effective. but remember landscape photography is not about fast and rushing, if you think you like the pressure and rushing you should go into journalism or documentary photography.

Read More......

Highlight Clipping

There are several ways to address and deal with circumstances highlight clipping, including:

• check the histogram, check whether the area is too bright to right so that over-exposure?
• when viewing the photos in the camera, turn on the feature 'highlight clipping indicator' so that the white area that suffered washout will be marked by the camera in the form of blinking
• not all that bright areas of washout was considered failed, if the experience is not an object image washout important then just ignore it
• but when the light of the washout area is an important area in the photo, the photo needs to be repeated
• when the camera is often experienced clipping in high contrast areas, can lower the komponsasi exposure to -1 / 3 so that the images will be 1 / 3 stop darker (darker images will create more shadow detail in dark areas)
• certain cameras (like the EOS 550) had a highlight tone priority feature, the feature can be activated when we frequently shooting a white object in order to keep the details

Read More......

Nikon D5100

Nikon D5100 16.2 megapixel sensor is known to have an LCD screen and adjustable, continuous auto-focus in movie mode, max ISO 25,600, and the new Special Effects mode with four filters that work well for taking still images and video / film.
Nikon D5100 is the latest series of the D5000 is the first Nikon digital SLR cameras with LCD screens folding.
A new feature in the D5100 is largely aimed at users who want to record video / movies with their DSLR. The camera is capable of capturing movies at a resolution of 1080p and 720p at 24 or 30 fps. LCD screen 3-inch size, with 921,000-dot density can be flipped out and tilted up to 170 degrees, which can be used in movie mode and Live View. Special Effect mode the camera gives users four filters that can be applied to the film and still images: Selective Color, Color Sketch, tilt-shift effect, and Night Vision, which increases the ISO to 102 400.
D5100 has the ability to auto focus on the continuous mode, a feature film which debuted in the D3100's. One of the known weaknesses of this feature is that it produces a loud noise being picked up by microphones on-camera. To help overcome this problem even with additional costs to consumers, Nikon released a new external microphone called the ME-1 which correspond to the camera hot shoe mount and plugs into the mic input port. It is designed to compensate for most of the noise created by the auto-focus lens. Microphone ME-1 will be sold separately starting in April at a price of $ 180.

Read More......

Canon EOS 60D

The EOS Canon 60D offers a range of high-end features – the 18MP CMOS sensor that delivers great images, a 3:2 aspect ratio vari-angle 3in screen with an impressive resolution, refined and logical handling characteristics, and robust aluminum construction.

For the action photographer, the spec may look a little conservative, with only 5.3fps and a 9-point AF system. It would be nice to see a slightly faster frame rate, but that said, we still manages to capture a decent amount of our golfer’s swing, and it will carry on shooting for 50 consecutive JPEG shots before the buffer slow down, while 16 RAW files are achievable at the same rate.

The AF points are laid out in a diamond formation, with quite a bias to the centre of the frame. All the AF points are cross-type, and in Al Servo mode (Canon’s term for Continuous AF), the 60D performed very well – tracking the horses as they came down the course, allowing us to fire off a series of pin-sharp shots.

Read More......

Fashion Photography

Wedding photography is different from other types of photography. One needs to keep on many factors while shooting wedding photos. Wedding is the most memorable day for anyone life and to make it more memorable and crucial it is in the hands of photographer who are capturing those pictures. First of all one should keep in mind that everyone wants to look pretty and beautiful in wedding pictures thus good lighting help you to take more beautiful pictures. Lighting plays very important role in wedding photography. Thus, lighting has to appropriate at the time of capturing a photo for wedding.
Next vital thing which you keep in mind is about your subject. Shot the picture of your subjects from different angle with different poses. Also, plan before hand how you will capture the most important people of the day especially bride and groom. Also, try to cover some natural poses and never miss out to capture special moments of the day. Also, cover the location and choose a happy background with dark colour and a beautiful decoration to shot the pictures of bride and groom. Try to capture emotions in your photography.
Also, use two cameras for the day and make sure that both the cameras have different lens. Moreover, always keep your back-up that is extra equipment with you so that if in case there is problem in your camera you have another one. When taking group photo at the time of shooting wedding photography try to give the people your pose and make sure you focus on each and everybody in the group. Be creative enough to give unique and innovative poses in your group photography.

Read More......

Halong Bay Shoot

• What should photographers be thinking about as they make plans for Halong Bay?

If you're going specifically for photography, you have to go at the best time of the year. Go for the optimal amount of good light. The second thing is a wide angle lens. You want as much of the beautiful bay at the right time as you can. Whether you are at water level, or on a hill looking down, the whole point is to get the wide shot to show vastness.

• What else would you recommend before traveling to the bay?

Read up on the stories, the legends, the history. This will give you inspiration. As you appreciate how others, from a perspective of history or legends, see the bay, you'll then have some impressions to go for in your pictures.

• Except that in Halong Bay so many of the stories are about dragons. No one's going to get to capture dragons.

No, but you may get mist and early morning light that's very soft, or afternoons where you get that long light late in the day. With the right kind of weather, and the lovely limestone, you're going to get the ambiance of an East Asian fairy tale. That's where your dragons come in.

Read More......

Natural Ligthing

Many things can make your photos look professional in photography. As photography lights are only one part of creating a print professional. Photography needs a few understanding and planning of some techniques and good photography lighting equipment too. Without the proper lights help to cover the subject or object, you can not to deliver the best shot for your audiences. Here are a few best tips for photography lights which you can practice them.
A photographer has to understand the sun's color scale. Photographs make some viewer towards certain feelings, regularly warmer colors bring to mind more passion in photography lights. Thus to get the right time of the day you have to understand the suns affect on the colors. The suns evoke neutral colors in the noon hours, when closer to afternoon you will have redder color.
You should work with the angle and direction of the sunlight while exploiting natural light.  The subjects or objects which are directly behind the sun will get too much light that means overexposure in photography lights. You will get softer shadows if the sunlight is wide and diffused while the more shadow you can make if the more narrow the light is focused. That is the way shadow is used, if used properly the shadow is able to give you more quality to the pictures.

Read More......

"wildlife photography"

How to choose wildlife photography lenses?
 

Wildlife photography lenses can mean a difference between high quality images and low quality pictures. The lenses should possess the right zoom level to allow you to have a close-up shot of a herd of buffalo grazing or a mother lioness actively playing with her cubs. In addition to zoom capacity, you should also consider the price, focal length and steadiness when choosing photography lenses.
 

Focal length
The focal length of your lenses will establish from how far you can take a clear shot. Wildlife photography lenses with long focal length will allow you to take a clear shot when you are miles away. This is very important when you are taking shots of dangerous animals such as lions, elephants and snakes since you do not need to be next to the animal to take a shot. A lens with a focal length of 400mm and above, for instance, is perfect when you are taking photographs of birds or carnivores that can attack and injure you.
Image stability

Read More......